Quick Reference — Page 1 of 5
Harken Numeric Notation: Tonic-relative pitch encoding using numbers 0–11. All pitches reference the tonic (0).
| 0 | Tonic (root note) |
| 1–11 | Chromatic pitch classes above tonic |
| + | Quarter-tone modifier (24-TET mode only) — 50 cents higher |
| ^ | Octave up |
| v | Octave down |
| * | Rest |
| | | Bar line |
| ' | Staccato (short/detached) |
| ~ | Tie/sustain from previous note |
Super Composer supports two tuning systems, selectable via the Mode selector:
| 12-TET | Standard chromatic (12 equal divisions) |
| 24-TET | Quarter-tone system (24 equal divisions, 50-cent steps) |
Key principle: All 12-TET notation is valid in 24-TET mode. The + modifier adds quarter-tone content when needed.
| w | Whole note |
| h | Half note |
| q | Quarter note |
| e | Eighth note |
| . | Dot (50% longer) |
Duration chaining: Combine letters additively (e.g., 0he = half + eighth note).
Chords can be notated within melody tracks using parentheses for simultaneous attack.
| (0,4,7)h | C major triad, half note |
| (0,3,7)q | C minor triad, quarter note |
| (2+,5+,9+)w | Quarter-tone chord (24-TET), whole note |
| (0,4^,7^)h | Octave shifts within chord voicing |
Each pitch class within parentheses can use the + modifier (24-TET) and octave shifts (^ v).
Format: [beats/beatType] or [beats/beatType:slots]
Place at the start of the score or when the meter changes.
Subdivision (slots) determines the rhythmic grid for each measure.
| [4/4:8] | 8 slots = eighth note grid (default) |
| [3/4:6] | 6 slots = eighth note grid |
| [4/4:5] | 5 slots = quintuplet subdivision |
| [12/8:12] | 12 slots = eighth note grid |
| [5/4:10] | 10 slots = eighth note grid |
| [4/4:16] | 16 slots = sixteenth note grid |
| [4/4:12] | 12 slots = triplet quarters |
Higher slot counts allow more precise rhythmic notation. The subdivision affects how duration letters and dashes are interpreted.
Quick Reference — Page 2 of 5
Chord symbols combine root, quality, alterations, and duration in one token.
In 24-TET mode, the + modifier appears immediately after the root number for quarter-sharp roots.
| maj | Major triad |
| min | Minor triad |
| dim | Diminished triad |
| aug | Augmented triad |
| sus4 | Suspended 4th |
| sus2 | Suspended 2nd |
| dom7 | Dominant 7th |
| maj7 | Major 7th |
| min7 | Minor 7th |
| dim7 | Diminished 7th |
| min7b5 | Half-diminished (ø7) |
| hdim7 | Half-diminished (alt) |
| minmaj7 | Minor-major 7th |
| maj6 | Major 6th |
| min6 | Minor 6th |
| dom9 | Dominant 9th |
| maj9 | Major 9th |
| min9 | Minor 9th |
| dom11 | Dominant 11th |
| maj11 | Major 11th |
| min11 | Minor 11th |
| dom13 | Dominant 13th |
| maj13 | Major 13th |
| min13 | Minor 13th |
| ! | No Chord (N.C.) |
Extended qualities: aug7, maj7#5, maj69, min69, minmaj9, aug9, maj9#5, dom7sus4, and many more (54 total). Use Chords panel buttons or type directly.
Alterations: Append b5, #5, b9, #9, #11, b13 after quality (e.g., dom7b9#11w).
Append + after quality to shift all intervals (except root) +50 cents:
I-vi-ii-V progression (12-TET)
Quarter-sharp chord roots (24-TET detuned chords)
Spectral chords: root natural, intervals +50¢ (24-TET)
Quick Reference — Page 3 of 5
| Mode | Select 12-TET or 24-TET tuning system |
| Tonic | Set the key center (C–B) |
| Tempo | Set playback speed (BPM) |
| Play | Start playback from beginning |
| Stop | Stop playback |
| Loop | Enable/disable looping |
| Click | Enable/disable metronome |
| Swing | Enable/disable swing feel (12-TET only) |
| ✦ Galaxy | Open/close the live 3D Galaxy Visualizer (see Page 5) |
| Measures | Total number of measures |
| Columns | Measures per row (1–8) |
| Time Sig | Select meter for all measures |
| Pickup | Enable incomplete first measure |
Each measure can override the global time signature by typing [beats/beatType] at the start.
Super Composer supports up to 8 melodic tracks (Tracks 0–7) plus a dedicated chord track.
12-TET mode: Type 0–11 for pitches relative to tonic.
24-TET mode: Type 0–11 for chromatic pitches, or append + for quarter-sharp (e.g., 3+, 7+, 11+).
Single notes and chords (postfix): ^ for octave up, v for octave down.
Spans (prefix/postfix toggle): Apply octave displacement to multiple consecutive pitches:
^pitches^ — all enclosed pitches up one octavevpitchesv — all enclosed pitches down one octave^0,2,4,5^ or v7q,9q,11qv| * | Rest |
| | | Bar line (auto-inserted) |
| ' | Staccato |
| ~ | Tie/sustain from previous note |
| ( ) | Parenthetical chord (simultaneous attack) |
Quick Reference — Page 4 of 5
The unified Control Panel provides access to all composition tools through five tabs:
Switch between tabs using the tab buttons. The Control Panel can be toggled open/closed and repositioned on screen.
The Transform panel applies geometric operations to melodic content AND chord symbols, preserving rhythms while transforming pitch relationships and harmonic quality.
| R0–R5.5 | 12-TET Reflection across twelve axes. Transforms both melody pitch and chord quality. |
| R0+–R5.5+ | 24-TET Reflection (quarter-tone axes). Produces spectral outputs. |
| T0–T11 | 12-TET Rotation +0 to +11 semitones. Preserves chord quality, transposes root. |
| T0+–T11+ | 24-TET Rotation (quarter-tone steps). Preserves quarter-sharp modifiers. |
| Retrograde | Reverse event order (time reversal). Maintains pitch/chord identity. |
Reflection: Both root and quality transform. 0maj7w across R0 → 5min7w. Uses CHORD_REFLECTION_MAP (54 quality pairings).
Rotation: Only root transposes, quality preserved. T5 on 0maj7w → 5maj7w. Quarter-tones propagate in 24-TET.
Spectral axes (R0+–R5.5+): Produce quarter-sharp roots. R0+ on 0maj7w → 0+maj7w (detuned chord).
The Sample button loads an example composition to explore Super Composer features.
Click Lead Sheet to view or print traditional notation with chord symbols. The lead sheet shows your composition in standard staff notation. Adjacent piano staves with different clefs are automatically braced as grand staff.
Quick Reference — Page 5 of 5
The Galaxy is a live 3D view of the Harken geometric model that lights up in real time as your composition plays. It makes no sound — Super Composer drives it one-way — but every note-on flashes the matching pitch-class node in its Harken color, so you see the harmony move through the geometry as you hear it.
| Drag | Rotate the galaxy in 3D |
| Scroll / pinch | Zoom in and out |
| Idle | Gentle auto-spin keeps the full geometry in view |
A nested-polyhedra map of the Harken system: the dodecahedron (12 pitch classes), the decagon layer (24-TET spectral pitches), the pentagonal icositetrahedron, the central singularity where all tritone diameters meet, the interior star field, and a bounding sphere. Tritone axes and the equator are drawn as reference lines.
Turn on Loop and watch a phrase cycle — reflections and rotations become easy to spot as symmetric motion through the geometry.